Navigating Artistic Success Without Social Media: Merging Conventional and Digital Approaches2/5/2024 In an era where social media is often viewed as indispensable for artists to display their talents, the notion of succeeding without these platforms may appear unconventional. Yet, thriving as an artist independently of social media is not just feasible; it can also offer immense satisfaction. This article hosted by artist Jim Martinez aims to provide artists with alternative avenues for promoting and selling their artwork. Developing Personal Networks and Communities For artists steering clear of social media, cultivating a robust personal network is essential. Engaging in local art scenes, participating in art fairs, and attending gallery events can forge valuable ties with fellow artists, art collectors, and enthusiasts. Such face-to-face interactions often yield deeper, more significant connections than those made online, paving the way for collaborations, commissioned work, and sales. Exhibiting Art in Community Spaces Showcasing artwork in community spaces like cafes, libraries, and community centers can greatly enhance an artist's exposure. These venues often attract a varied audience, many of whom may not typically frequent galleries or art exhibitions, thereby introducing your work to a new group of potential admirers and buyers. Additionally, this approach helps integrate art into everyday public spaces, making it more accessible and relatable to a wider community. Connecting with Art Collectors and Galleries Proactively engaging with art collectors and galleries can be more impactful than passive social media posts. Artists should research galleries that resonate with their style and present a well-prepared portfolio. Establishing relationships with art collectors can occur at art fairs, exhibitions, or through personal introductions. This direct approach allows artists to tailor their presentations to specific audiences, enhancing the likelihood of resonating with galleries and collectors who share a similar aesthetic or thematic interest. Exploring Collaborative Ventures Partnering with other artists, local enterprises, or community groups can significantly broaden an artist's reach and open up new opportunities. This might include co-creating an exhibition or an art project with another artist, which not only merges different artistic styles and audiences but also cultivates a sense of community and shared artistic expression. Local businesses often look for unique ways to enhance their spaces or promote their services, and an artist's work can be central to these efforts. For example, creating bespoke art for a local café or designing a mural for a community center not only displays your talent to a wider audience but also integrates your art into the everyday life of the community. Such collaborations can lead to greater recognition, potential sales, and interaction with a diverse array of individuals who might not usually engage with gallery settings or art shows. Utilizing Adobe Express for Marketing and Sales Adobe Express provides a suite of tools that can be highly advantageous for artists aiming to display and sell their work. Here are a few suggestions to get you started:
Achieving success as an artist outside the realm of social media is not only attainable but can also lead to more genuine and profound engagements with audiences. By leveraging tools like Adobe Express and embracing traditional networking and marketing techniques, artists can establish a distinct presence in the art world. This path may demand more effort and creativity, but it often results in a more sustainable and fulfilling artistic career. Step into the vibrant and dynamic artistic realm of Jim Martinez. Click here to experience his extraordinary collection and bring a piece of his vision into your world.
0 Comments
There is something discomforting but challenging about viewing these paintings. Who hasn't opened a garage door or a file cabinet or junk drawer and had that feeling to just close it again but had a deep desire to try to make order of the contents? "Junk Drawer" 18" x 24" Acrylic on Canvas "Junk Drawer 2" |
I've been seeing a lot of collage work in art shows and festivals lately. I haven't done one since high school, and was, once again inspired by a song "She's Leaving Home" to illustrate, not so much the lyrics of the song, as the story behind it. According to legend, Paul McCartney was inspired by a newspaper article about a "well to do" runaway teen that left behind "everything money could buy" and he went on to write "She's Leaving Home" for the "Sgt. Pepper's " album. Unknowingly, years before, he had met the future runaway, Melanie Coe, when she performed in a lip syncing competition on the TV show "Ready, Steady, Go!". (He judged the competition and presented her with a copy of the latest Beatles album when she won). The song stands on it's own merits, but the story behind it is pretty interesting. Do a search on the Melanie Coe story |
I've heard other artists claim that listening to music while they are painting or drawing becomes a distraction. I have always believed that listening to music helps me to open up to my creative side and helps me "dig in" to the work. In another respect, music can directly effect my choice of subject matter. Certain songs can conjure very distinct visual images while others may put me in a more abstract mood. My style doesn't go to the abstract extent of Jackson Pollock and his "jazz paintings", and I'm not sure how Kandinsky's theory of "chords of color" effect my work.
Take a look at the video of John Mayer's "Walt Grace's Submarine Test, January 1967". This is an example of how a particular song can put a very visual image in my mind and influence the work of art in itself. BTW, make sure you click the "CC" button for the lyrics.
Check out the upcoming acrylicworks5. My piece called "Utility Pole " is featured in it. As Navin Johnson once said; "My name in print! I'm somebody now!"
The book is scheduled to be released May 8th in hardcover and digital format.
From AMAZON:
"The 5th competition book in the AcrylicWorks series, this volume delivers another bold and breathtaking show of the best in contemporary acrylic painting, selected from an international call for entries. A rousing blend of instruction and inspiration, these pages feature:
From AMAZON:
"The 5th competition book in the AcrylicWorks series, this volume delivers another bold and breathtaking show of the best in contemporary acrylic painting, selected from an international call for entries. A rousing blend of instruction and inspiration, these pages feature:
- 127 stunning acrylic and mixed-media paintings by 100+ accomplished artists
- Fascinating insights from the artists themselves, revealing the hows and whys behind each piece
- Focus on the power of value--creative solutions, effective approaches and bold techniques
- A rich variety of subjects--from still life and abstracts to people, animals and landscapes--portrayed in an equally glorious range of styles"
https://books.google.com/books?id=Gi3JAQAACAAJ&printsec=frontcover#v=onepage&q&f=false
I once went a year without creating any significant kind of art. It really hit hard when my wife told me that "If I had your talent, I would do it all the time". I decided then, that I would take steps to force myself to do more art. With the many art contest available through magazines, websites and even county fairs, there is usually some new deadline to meet, and sometimes a theme to work towards. Having a deadline is helpful for me and the primary reason for entering competitions. Winning a cash prize or ribbon is just icing on the cake.
"Drawing Techniques"- Scratchboard
Honorable Mention in Eccles Community Art Competition March 2018
Author
My bad paintings are the ones with mistakes that I never learned something from. -Jim Martinez
Archives
February 2024
February 2022
January 2020
October 2019
December 2018
April 2018